A 400 Blows Repeat
Movie theaters always have the latest dramas, thrillers and action packed films. Here in
Of the literary aspects, characters, setting and themes are the strongest and provide a good story to keep the viewer dying to find out what happens next. Unlike The 400 Blows, On The Waterfront is successful at gaining the viewers sympathy for the main character, Terry Malloy, which is a crucial part in developing movie characters. This allows the viewer to relate to Terry and feel as if they have a personal connection with him. The movie also does a good job developing the characters in opposition to Terry Malloy. Johnny Friendly, the mob boss, is portrayed as an assertive man who is the complete opposite of Terry Malloy. These two characters drive the main conflict and create the action and suspense.
The setting is another strong portion of the literary aspects. Because it was made in 1954, the time period makes this movie unique. It is especially appealing to kids and teenagers today because we get experience a different era and get a glimpse at what life was like during that time period. The setting plays an important part in deciding what conflicts take place in the movie. The basis for this movie is a mob that takes over the waterfront and controls who gets jobs and who doesn’t; this creates a problem for the common people. This conflict is only possible because of the time period it is set in.
The most important literary aspects are the dilemmas and themes. Terry Malloy is faced with the choice to keep his mouth shut about a murder and keep his job in the mob, or to tell the cops who did the killing and risk his own life. While this specific dilemma is unique, the theme isn’t. All people have been put in a situation where there are negative outcomes no matter what decision they make. The murder situation that Terry is in makes the movie appealing while the theme gives the viewer a chance to draw upon their own experiences.
Even though On The Waterfront has great potential with its literary aspects, it fails in the dramatic aspects of the film. The actors, and makeup bought tears to my eyes not because they are so spectacular, but because I was laughing at how bad they are. Edie Doyle played by Eva Marie Saint is supposed to be a symbol for what is good but often times her constant crying and screaming makes her come off as annoying. One example is when Edie finds out that Terry Malloy took part in her brother’s murder. She begins a crying like a baby followed by shaking her head and repeatedly saying “how could you?” To my classmates and I, this scene was more comical than emotional. It seems as if she tries too hard to be dramatic which causes the viewer to take her less seriously. Clearly, Eva Marie Saint is not the right person for the part because of her bad acting. One of the more memorable moments is when there is a shot of Terry Malloy after he is beat up by the mob. The blood on his face looks like ketchup and the bruises appear to be black engine-slug from a car. One might claim that On The Waterfront was made a long time ago and their makeup wasn’t that good, but in the movie business, every aspect must be done perfectly.
The cinematic aspects neither contribute to the film, nor hurt it. The director didn’t have much creativity with camera angles or movement. When the mob boss, Johnny Friendly, is shown for the first time, there is a low angle shot of him from the pool table he is standing by. The angle is appropriate, however viewers today have higher standards and come to expect this from movie directors, almost like 9th grade students expect to be spoon-fed an “easy A”. Another example is when Terry Malloy is walking towards the warehouse in the final few scenes of the movie. Instead of just showing Terry stumbling down a sidewalk, the camera goes 1st person and the viewer feels as if they are looking through his eyes. Again, this is nothing special considering that a 3rd person view would have put the viewers to sleep. The worst part is the music that is played in almost every scene. It is load and obnoxious to the point where it almost becomes a character in itself. Overall, the cinematic aspects were bland and typical, showing no creativity on the director’s part.
On The Waterfront shares one common theme with Arthur Miller’s All My Sons, but aside from the theme, always do the right thing, the two are completely different. Both Terry Malloy and Joe Keller face situations where their decisions affect the lives of many other people. Joe’s decision killed 20 air force pilots whereas Terry’s actually saved people’s lives and jobs at the cost of risking his own life. In On The Waterfront, there is a clear cut difference between good and bad and both are represented by Edie Doyle and Johnny Friendly. In All My Sons, there isn’t a clear line between good and bad because there are many personal opinions that play into what the reader decides.
On The Waterfront could have been a classic if it was written as a book due to its unique literary aspects like setting. The dramatic and cinematic aspects, like the music, reduce the movie to a little known, little cared about, piece of film. I would never recommend this movie to anybody, and I definitely don’t think that On The Waterfront will be playing at AMC theaters any time soon.